J u d i t h  M .  B a u m a n n
Olympia, Washington

e d u c a t i o n  & Virginia Commonwealth University, School of the Arts, Richmond, Virginia
w o r k s h o p s   Master of Fine Arts, magna cum laude, June 2005
  Department of Painting and Printmaking
   
  Tamarind Institute, Albuquerque, New Mexico
  Aluminum Plate Lithography Summer Workshop, July 2004
   
  Alfred University School of Art and Design, Alfred, New York
  Bachelor of Fine Arts, magna cum laude, June 2001
  Department of Printmedia
  Concentration in Printmaking, Photography and Digital Imaging

s e l e c t e d  g r o u p 2007 Finestra Gallery, “De.Pic.Tion,” Curated by T.M. Martin Chicago, Illinois,
e x h i b i t i o n s   Capitol Theater Mezzanine Gallery, "Anomia: Spit It Out" Olympia, Washington
    The Basement Gallery, "Flair" Knoxville, Tennessee
    Bryce’s Barbershop Gallery, “Heroes,” Laura Sharp, Curator Olympia, Washington
  2006 South Puget Sound Community College, “Pulp: Works on Paper” Olympia, Washington
    The Basement Gallery, “Kaleidoscope” Knoxville, Tennessee
    The Evergreen State College, "Synergy" Olympia, Washington
 
2005
 Washington Project for the Arts/ Corcoran, "Options," Curated by Dr. Libby Lumpkin Washington, D.C.
     
    Stefan Stux Gallery, "Double Chin" Chelsea, New York
    Boston Museum School, "Chance Encounters" Boston, Massachusetts
    Delaware Center For the Contemporary Arts, "Biennial MFA Exhibition," Curated by J. Susan Isaacs, Ph.D. Wilmington, Delaware
 
    Anderson Gallery, “When Appliances Attack: MFA Thesis Exhibit” Richmond, Virginia
    Stephenson Blanche Gallery, California Institute of the Arts, “Sweet Substitute” Valencia, California  
 
  2004  ADA Gallery, “New Realism”    Richmond, Virginia
    Plant Zero, “Candid” Richmond, Virginia
    Marsh Art Gallery, University of Richmond Museums, “6th American Print Biennial,” Curated by Marjorie B. Cohn,
Curator of Prints, Fogg Art Museum at Harvard University
 Richmond, Virginia
 
    ArtWorks, “Casserole,” Curated by Ray Kass Richmond, Virginia
  2003 ADA Gallery, Flat files, “Dogshow Suite” Richmond, Virginia
    Bradford Gallery, “Lemons” Richmond, Virginia
  2001 CEPA Gallery, “Expose Yourself” Buffalo, New York
    Harder Hall, Alfred University, "Suburban Landscapes" Alfred, New York
  2000 Moka Joka, “My Father’s Family” Alfred, New York

h o n o r s + a w a r d s Virginia Museum of Fine Art Professional Fellowship Grant Recipient 2005 - 2006
Graduate Teaching Assistantship, Virginia Commonwealth University
 		2005
  Travel Grant, Virginia Commonwealth University School of the Arts 2004
  Graduate Fine Art Scholarship, Virginia Commonwealth University 2004
  Graduate Teaching Assistantship, Virginia Commonwealth University 2004
  Graduate Fine Art Scholarship, Virginia Commonwealth University 2003
  Graduated Magna Cum Laude, Alfred University 2001
  Divisional Honors, BFA Exhibit, Alfred University 2001
  Alpha Lambda Delta, National College Honors Society, Member 1998 - 2001
  Alfred University Honors Program, Member 1997 - 2001
  Presidential Scholarship Recipient, Alfred University 1997 - 2001

c o l l e c t i o n s Robert Lehrman, Chairman of the Board of Trustees at the Hirshhorn Museum, Washington, D.C.
  Peter Hapstak, Principal at the architecture and design firm CORE, Inc., Washington, D.C.

b i b l i o g r a p h y Billie Waite, “Kaleidoscope at The Basement Gallery,” NY Arts Magazine, November – December 2006
  Michael O’Sullivan, “At Options, Choose Wisely,” The Washington Post, October 14, 2005
  Dr. Libby Lumpkin, Options Biennial 2005, catalogue essay, October 2005
  Eleanor Heartney, Virginia Commonwealth University MFA Thesis Catalogue, May 2005
   
e x p e r i e n c e Adjunct Faculty
 Sept 2005 - present
  The Evergreen State College, Olympia, Washington  
    Individual Learning Contract Sponsor, Winter 2006 – present  
    Faculty sponsor for advanced student work in printmaking and paper arts via student originated individual learning contracts; assessed and evaluated all student work, research and writings; assisted with conceptual and technical issues; assigned pertinent art theory reading assignments.  
       
    The Political Print, Winter 2008  
    Designed as an intensive study of the aesthetics of rebellion and revolution, students will study the history of print as a catalyst for social, political and cultural change from the 18th century to present; students will create their own political prints using various printmaking methods including screen-printing, linoleum block carving and typesetting and research a specific political print movement.  
       
    Introduction to Relief Printmaking, Winter 2007  
    Using both wood and linoleum, students learned a variety of printing techniques including hand editioning practices and the proper use of both Vandercook and etching presses; reduction printmaking processes as well as multiple block techniques were demonstrated using handmade registration systems; students learned the proper care and sharpening of hand tools; the history of the medium was discussed as well as its applications in contemporary art.  
     
    The Art of Silk Screening: An Introduction, Fall 2006, Spring 2007  
  Students focused on both concept and craft in this beginning level course, refining ideas relating to composition, color and layering techniques; technical skills developed included screen care and proper preparation, stencil making options, registration, ink handling and printing strategies; students learned correct print editioning methods; PowerPoint presentations were given of contemporary artists working with serigraphy in addition to the history of the medium.  
     
  The Art of Multiples: Introduction to Printmaking, Summer 2006  
    This course was designed as an intensive introduction to printmaking materials and process focusing on the creation of multiples; students worked both individually and collaboratively, experimenting with relief methods, silk-screening, photolithography, letterpress and monotype techniques; students rotated through the printmaking studio, each assignment building upon accumulated knowledge and combining new skills and techniques; PowerPoint presentations of contemporary artists using these techniques were given throughout the course.  
     
    Introduction to Photolithography and Silk Screening, Fall 2005, Spring 2006  
    Both drawing and photographic image making methods were stressed in these unique yet similar processes; students created multiple layer color prints, developed registration skills and experimented with printing techniques; demonstrations were given weekly through the first half of the quarter while the second half was primarily designated for individual image preparation, printing and editioning.  
     
    The Art of Silk Screening, Intermediate to Advanced, Winter 2006  
    Focused on both craft and concept, students created silk screened editions of work, partook in guerilla public art projects, read I bought Andy Warhol and The Philosophy of Andy Warhol, studied The Complete Water Based System, participated in lectures, seminars, demonstrations, and critiques, learned various stencil making techniques and registration systems, applied color theory and created color separations using an Epson Stylus Pro 4000.  
     
  Visual Arts Technician II  
  The Evergreen State College, Olympia, Washington July 2007 – present
    Schedule and coordinate space for all visual arts programs; webmistress for Arts Area website; schedule and hire all life drawing models; hire and train student Arts Area Assistant; facilities management for the entire Evergreen visual arts area; upkeep of all studio equipment, slide and data projectors; liaison between visual arts faculty, students and staff; order and purchase materials and supplies as needed by faculty.  
     
  Printmaking Instructional Technician III  
  The Evergreen State College, Olympia, Washington July 2005 – present
    Schedule workshops, classes and demonstrations within the area; hire, train and budget hours for work-study and institutional student aids; purchase all studio consumables, operations equipment, and stock a large printmaking supply store; prepare on-demand demonstrations for faculty, students and staff; work with faculty to meet their expectations and needs for the studio; maintain all studio equipment in lithography, letterpress, etching, serigraphy, an Orbital Photopolymer plate maker, a three station G4 digital imaging lab with an Epson 4000, a stat camera and darkroom.  
     
  Adjunct Faculty  
  Virginia Commonwealth University, Richmond, Virginia Aug 2004 - May 2005
    The Art of Multiples, Spring 2005  
    Developed a course upon the idea of experimental printmaking in relation to multiples, with an emphasis on self publishing, artists’ books, and ‘zines; coordinated guest lecturers from the community including independent bookstore owners, print collectives and presses, and book designers; demonstrated layout design principles, simple book binding and book art concepts and discussed the history of print multiples and their many forms.  
     
    Large Format Digital Printing, Fall 2004  
    Created and implemented lesson plans pertaining to Large Format Digital Printmaking including technical and conceptual issues; demonstrated software programs, instructed use of computer and Giclée printer functions; led critiques of student work both in groups and individual sessions; maintained printer, computer lab and Colorspan software.  
     
  Professor’s Assistant Jan 2004 - May 2004
  Virginia Commonwealth University, Richmond, Virginia  
    Large Format Digital Printing, Spring 2004  
    Assisted with teaching responsibilities and program demonstrations; led critiques of student work; aided students with technical computer problem solving knowledge; demonstrated the Giclée printer, organized printing slots; maintained ColorSpan software and acted as the class technician.  
     
  Digital Imaging Computer Lab Assistant    Aug 2003 - Dec 2004
  Virginia Commonwealth University, Richmond, Virginia  
    Supervised and maintained a twelve station G4 computer lab, maintained printers; maintained a PrintMaker Giclée printer including color calibration, head cleaning, head alignment, ink replacement, ColorSpan software monitoring and price per print calculation; aid for technical problems with hardware and software.  
      
  Printer's Apprentice Jan 2002 - Jan 2003
  Mahaffey Fine Art, Portland, Oregon  
    Apprentice to Mr. Mark Mahaffey; pre press responsibilities included paper, plate and stone preparation; printing assistant; general studio maintenance.  
     
  Digital Imaging Computer Lab Assistant  
  Alfred University, Alfred, New York Jan 2000 - May 2001
    Supervised a Macintosh computer lab; maintained large scale printers, various inkjet and laser printers including Epson 3000, 300, Elite Express 20/80, and Design Winder; provided aid for technical problems in hardware and software.  
     
  Photography Studio Assistant  
  Alfred University, Alfred, New York Jan 2000 - May 2001
    Maintained all chemistry in black and white darkrooms; general studio maintenance.  
     
  Intern  
  Artvoice, Buffalo, New York May 1999 - Aug 1999
    Managed the office for a local alternative weekly publication; maintained responsibilities with photography, journalism, sales and marketing, classified listings, and festival organization.  

s k i l l s • Extensive knowledge of non-toxic printmaking techniques including acrylic-based Z*Acryl intaglio techniques, water based screen-printing methods, relief printing, lithography techniques and non-toxic studio management
  • Experience using both Takach and Charles Brand lithography and etching presses, Chandler & Price Platen presses, Vandercook proofing presses
  • Traditional printmaking techniques in lithography, etching, chin collé, dry point, monotypes, transfers, relief and serigraphy
  • Knowledgeable in letterpress and book arts utilizing platen presses and Vandercook Proofing presses
  • Extensive use of Digital Imaging technology including ColorSpan software and a Printmaker Giclée Large Format digital inkjet color printer.
  • Excellent skills with the entire Adobe Creative Suite, i-movie, and Dreamweaver
  • Undergrad primary concentration in flatbed offset four color photolithography separations, as well as Image-On photo-etchings and digital imaging
  • Pre press experience in negative and print scanning, layout, film preparation using a Selectset AGFA Avantra 25 and AGFA Rapiline 28 film developing unit, film registration, Howsen Plate burning using a Nuarc Ultra Plus Flip Top Platemaker, plate development, use of digital cameras and Digital Video cameras
  • Extensive color photography developing and printing experience using a Colex Color Processor; advanced black and white photography skills, technical darkroom knowledge, experience with medium and large format cameras
   


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